Tracing the Edge @ Benton Museum of Art
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Helen Lundeberg
*Untitled (Land Patterns), *1968
Arylic on canvas
Florence Arnold
*Equivocal,* 1960
Oil on linen
Karl Benjamin
*F.S. #2,* 1962
Oil ...
Tuesday, October 23, 2007
Thursday, October 4, 2007
Monday, October 1, 2007
Back Flip Into the Abyss
After a month of grad school, I decided to make radical changes with my work. I was inspired, in part, by a 2-day workshop in September with renowned Butoh performer Oguri. One aspect of his presentation focused on slowness through total body awareness in memory, space and time. I began to think more about the kind of actions needed to accomplish paintings and how I could materialize these elements in my own work. I began by inverting every aspect of my tendencies opting for a radically changed palette, employing less conventional tools, reordering processes, experimenting with a wider range of materials, and complicating matters with varying levels of distancing in both visibility and temporality. Thusly, I would spend the next several months making paintings somewhere between conscious and unconscious states looking for subtler shades of perception.
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